Bill is haunted — by a crisis of faith, by sexual insecurities, by depression — but, also, by a hungry young girl none of his vacation buddies can see. What’s supposed to be a carefree mountain getaway devolves into a drunken circus of attempted infidelity, nonsense, and weird religion while Bill steadily (and hilariously) loses grip on reality. As the night wears on and the girl remains, he knows he has to help her. The only question is...how?

After an unknown man mysteriously hangs himself by a highway in rural Oklahoma, two small-town paramedics beat the first responders to the scene. Since he’s already dead (and the cops got a flat), all they can do is wait. Which is fine—until they realize every school bus in the county is about to drive right by the dead guy. To make matters worse, a local reporter (the senior paramedic’s ex-wife) arrives to capture the whole fiasco on camera. Or so she thinks.

Rita is a great actor who never caught her big break. Still, when movie-star Wesley Rhodes hires her to help him rehearse for a film she’ll never be in, she does the work. Wes, on the other hand, does not. When his brilliant female drug dealer arrives for an appointment he forgot to cancel, Rita’s evening shifts into an even higher gear of absurdity. What would have been a tolerably uncomfortable experience fades into a tragicomic train wreck—all from the luxurious view of Wes’ riverside penthouse apartment.

The Only Mountain In Texas centers around Tom O’Neill, a semi-retired ski shop owner in recovery for gambling addiction, who receives word that snow is finally coming to the dry, climate change-impacted mountains of Ruidoso, New Mexico — and with it, his estranged daughter and the grandson he’s never met. What happened between them? Why is she coming now after all these years of silence? The Only Mountain In Texas is a story about falling short and trying again. About the things we can control and the things we cannot. About unexpected friendship, grace, and beautifully imperfect reconciliation.